Sequential Take 5

1519,00 TTC

Dernier synthé de chez Dave Smith/Sequential, qui devient un maître achat instantané ! Un synthé analogique polyphonique 5 voies avec séquenceur, arpégiateur et possibilités de modulation étendues, pour un prix incroyable !

| En cours de réapprovisionnement

En cours de réapprovisionnement
Matériel faisant partie de notre stock habituel, mais qui est en rupture de stock temporaire. Merci de nous contacter afin de vérifier le délai de livraison.
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Catégories :Synthétiseurs, Synthétiseurs Analogiques Marque :

Description

OSCILLATORS

  • Two analog VCOs per voice
  • Continuously variable wave shape (sine, sawtooth, variable-width pulse) per oscillator
  • Hard sync: oscillator 1 syncs to oscillator 2
  • Square wave sub-octave generator (oscillator 1) per voice
  • Keyboard tracking on/off for each oscillator
  • Front-panel FM (frequency modulation)

MIXER

  • Oscillator 1 amount
  • Oscillator 1 sub-octave amount
  • Oscillator 2 amount
  • White noise/pink noise amount

LOW-PASS FILTER

  • Four-pole, resonant, low-pass filter per voice, based on Prophet-5 Rev 4 design
  • Filter can be driven into self-oscillation with the Resonance control
  • Bi-polar filter envelope amount

ENVELOPES

  • Two 5-stage envelope generators (ADSR + delay) with variable routing (filter, amplifier, auxiliary)
  • Velocity modulation of each envelope amount
  • Envelopes freely assignable to multiple modulation destinations

LOW FREQUENCY OSCILLATORS

  • Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)
  • Clock sync (internal or external MIDI clock)
  • Freely assignable to multiple modulation destinations
DIGITAL EFFECTS
  • One dedicated reverb with damping, pre-delay, decay and tone
  • One multi-effect with stereo delay, BBD delay, tape delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter
  • Dedicated Overdrive effect
VINTAGE KNOB
  • Recreates the characteristics of vintage synthesizers by introducing parameter variations from voice to voice.

AFTERTOUCH

  • Source: channel (mono) aftertouch with bi-polar amount
  • Aftertouch freely assignable to multiple modulation destinations

CLOCK

  • Master clock with tap tempo
  • BPM control and display
  • MIDI clock sync

ARPEGGIATOR

  • Up, down, up+down, random, assign modes
  • Syncs to MIDI clock
  • Re-latching arpeggiation

SEQUENCER

  • Polyphonic step sequencer with up to 64 steps with ties and rests

PERFORMANCE CONTROLS

  • Full-sized, semi-weighted, 3.5-octave premium Fatar keyboard with velocity and aftertouch
  • Spring-loaded pitch wheel with selectable range per program with independently adjustable upper and lower pitch wheel range transpose controls
  • Low-split mode creates two independent performance zones with different octave ranges
  • Hold switch latches held notes on
  • Polyphonic glide (portamento)
  • Unison (monophonic) mode with configurable voice count, from one to all five voices, and key modes
  • Factory switch: when off, the front panel is live; what you see is what you hear

PATCH MEMORY

  • 128 user and 128 factory

IN/OUT

  • 1 MIDI In, 1 MIDI Out, and 1 MIDI Thru port
  • USB port for bidirectional MIDI communication
  • 1 Sustain/footswitch input
  • 1 Expression pedal input
  • Main stereo output (2 x 1/4″ phone jack)
  • Headphone out (stereo 1/4″ phone jack)

POWER

  • IEC AC power inlet for internal power supply
  • Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 14 watts maximum power consumption

PHYSICAL SPECS

  • Premium, 3.5-octave, semi-weighted Fatar keyboard
  • 25″ L x 12.75″ W x 4.4″ H (63.5 cm x 32.4 cm x 11.2 cm)
  • Weight: 17 lbs (7.7 kg)

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